![]() This idea of a sort of abrasive ecstatic stasis is something I’m very exited about and want to explore.” If you hear something repeated over and over again, your mind starts to hear it differently. The content is a big part, as opposed to the form. “I make large-scale, static pieces, using shred techniques and repeating musical fragments over and over. “Basically, I don’t use any (special) effects or looping,” he said. His solo electric guitar concerts as Fortress of Amplitude are unusual and distinctive as much for what they don’t include as for what they do. “I love the music and the culture, but I’m not claiming to be anything I’m not.” “I’m not interested in declaring myself a metal-head,” he said. ![]() It was also then that he began playing electric guitar, inspired by such metal shredders as Orthrelm’s Mick Barr and ex-Cacophony/Megadeth guitarist Marty Friedman. Where many heavy metal fans began their passion for the music in their early teens or even before, Wightman only got into metal after he enrolled at UCSD in 2003. Hopefully, the students can take these tools and apply them to other things in their lives.” “It’s important for students to learn about the music, but the class is really about developing a critical awareness of the world around you and an appreciation for popular culture. “But that student never showed up and turned any work in,” Wightman noted. Only one student has flunked the course, which has an 11-page syllabus and examines the work of such seemingly disparate artists as the composers Antonio Vivaldi and Richard Wagner, guitar icons Jimi Hendrix and Eric Clapton, and the bands Blue Cheer, Guns N’ Roses and As I Lay Dying. Wightman is also serious enough about his love for heavy-metal that, since last year, he has taught a course at UCSD about the music and its history and cultural impact. He’s as comfortable collaborating with a symphony orchestra or a chamber ensemble as he is with the Bang On a Can All Stars and (on bass guitar) with Japanese vocal contortionist Damo Suzuki (the former lead singer of the pioneering German art-rock band Can). He also performs as the experimental one-man electric guitar band Fortress of Amplitude and as the drummer and electronics programmer in the duo Extreme Animals. in music composition at UCSD, this Indiana native writes contemporary classical and electronic music pieces that draw from an array of traditional and experimental styles and approaches. Only a few quarters away from completing his Ph.D. “I don’t understand people who are only interested in one thing, musically or otherwise,” said David Wightman, who wears nearly enough hats - creatively speaking - to stock a chapeau shop. QUOTE: “The musicians today who are going to survive are performers and composers who do several things, as opposed to feeling you need to limit yourself.” ![]() 2 at the Soda Bar in City Heights (as the one-man band Fortress of Amplitude) as part of the San Diego Experimental Guitar Show. Most species are grey or brown in colour, often with speckled underparts.WEB SITES: /user/davidwightman.html and /fortressofamplitude Both parents help in raising the young. In almost all cases, the nest is placed on a branch the only exceptions are the three species of bluebird, which nest in holes. They lay two to five speckled eggs, sometimes laying two or more clutches per year. Thrushes build cup-shaped nests, sometimes lining them with mud. Thrushes are plump, soft-plumaged, small to medium-sized birds, inhabiting wooded areas, and often feeding on the ground. The Thrush is a common songbird in the UK. The group contains 5000 or so species found all over the world, in which the vocal organ typically is developed in such a way as to produce a diverse and elaborate bird song. Another name that is sometimes seen as the scientific or vernacular name is Oscines, from Latin oscen, “a songbird”. A songbird is a bird belonging to the clade Passeri of the perching birds (Passeriformes). This record has been modelled into a Thrush, a common songbird found in the UK garden. It became an international hit and is one of his most popular songs. ‘Songbird’is a song by Kenny G, played on a soprano saxophone, and the third single from his 1986 album Duotones. Kenny G worked in the mid-to-late 1980s with jazz and R&B artists such as George Benson, Patti LaBelle and Aretha Franklin. It featured the songs “Songbird”, and “Don’t Make Me Wait for Love”, which featured vocals from Lenny Williams in 1987. His fourth studio album, Duotones, sold over five million copies in the U.S. Kenny G is one of the best-selling artists of all time, with global sales totalling more than 75 million records. His 1986 album Duotones brought him commercial success. Kenneth Bruce Gorelick (born 1956), known professionally as Kenny G, is an American smooth jazz saxophonist. Additional information about this, Kenny G vinyl art.
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